WINNIE THE POOH
FROM THE STORIES OF A.A. MILNE / DRAMATIZED BY LE CLANCHE DU RAND
MUSIC BY ALLAN J. FRIEDMAN / LYRICS BY A.A. MILNE & KRISTIN SERGEL
IMAGINATION STAGE, 2024
DIRECTOR & CHOREOGRAPHER / CHRISTOPHER MICHAEL RICHARDSON
MUSIC DIRECTOR / ELISA ROSMAN
SCENIC DESIGNER / SARAH BETH HALL
COSTUME DESIGNER / FRANK LABOVITZ
LIGHTING DESIGNER / HELEN GARCIA-ALTON
SOUND DESIGNER / MADELINE ‘MO’ OSLEJSEK
PROJECTIONS DESIGNER / ZAVIER AUGUSTUS LEE TAYLOR
PROPS DESIGNER / ANDREA “DRE” MOORE
ORCHESTRATOR / CHRISTOPHER MICHAEL RICHARDSON
PHOTOGRAPHY BY MARGOT SCHULMAN
Sarah Beth Hall stunningly brought the Hundred Acre Wood to the stage with a map backdrop and decorative floor set, complete with tree stumps and logs. The Heffalump tracks in the aisles of the theatre brought the story into the audience, while many shades of green and brown complemented the woodland setting.
JULIA TUCKER / MD THEATRE GUIDE
The set (designed by Sarah Beth Hall) so perfectly recreated E.H. Shepard’s iconic map from A.A. Milne’s original Winnie the Pooh books that as we took our seats, my two-year-old, attending his first play, pointed to the stage and shouted, “It’s the Hundred Acre Wood!”
HANNAH ESTIFANOS / DC THEATER ARTS
THE CARETAKER
GOD OF CARNAGE
ORLANDO
METAMORPHOSES
THE BOOK OF WILL
THE ROSE TATTOO
THE BERLIN DIARIES
THE IMPORTANCE OF BEING EARNEST
DRACULA: A COMEDY OF TERRORS
THE VISIT
MARY SHELLEY'S FRANKENSTEIN
LISTEN FOR THE LIGHT
FAIR PLAY
TAMBO & BONES
DIE HARD IS A CHRISTMAS MOVIE
NEVERWHERE
SUPERTRUE
MAKE WAY FOR DUCKLINGS
NINE
WINNIE THE POOH
THE HOBBIT
QUEENS GIRL: BLACK IN THE GREEN MOUNTAINS
CARRIE
LITTLE WOMEN THE MUSICAL
FRANKENSTEIN
A YEAR WITH FROG AND TOAD
BLACK IS HOLY
ANDY'S HOUSE OF [BLANK]
PIPPIN
KEEPER OF THE REALM
MAMMA MIA!
SOMETIMES THE RAIN...
THE FISHERMAN'S WIFE
SLEEPING GIANT
LAST DANCE, LOST DANCE
BEERTOWN
LITTLE WOMEN
UNREALIZED DESIGNS