The berlin diaries / BY andrea stolowitz
THEATER J, 2025
DIRECTOR / ELIZABETH DINKOVA
SCENIC DESIGNER / SARAH BETH HALL
LIGHTING DESIGNER / COLIN K. BILLS
COSTUME DESIGNER / JOHNNA PRESBY
SOUND DESIGNER / SARAH O’HALLORAN
MEDIA DESIGNER / DEJA COLLINS
PROPERTIES ARTISAN / PAMELA WEINER
PHOTOGRAPHY BY RYAN MAXWELL
Theater J’s handsome production, steered with a light touch and admirable clarity by director Elizabeth Dinkova, deploys warm woods (in a set by Sarah Beth Hall) and plenty of papers (props are from Pamela Weiner), along with one of the most quietly lyrical visual vocabularies I’ve seen in a theater lately.
TREY GRAHAM / THE WASHINGTON POST
The regional premiere of this absorbing play, directed by Elizabeth Dinkova at Theatre J, takes place in set designer Sarah Beth Hall’s wonderfully dusty old archives, replete with faded volumes and plump packets of documents. We understand that these nondescript records contain information that no one has bothered to look at for decades. We learn that a single misfiled folder or a mistakenly recorded address can throw a passionate researcher right off the trail.
AMY KOTKIN / DC THEATER ARTS
The play moves between the diary, old documents, and other such material with Sarah Beth Hall’s spot-on set designed to look like an archive in which one could easily get lost. It adds a compelling dizziness to the otherwise purposeful journey of the narrator.
ANNE VALENTINO / MARYLAND THEATRE GUIDE
THE CARETAKER
GOD OF CARNAGE
ORLANDO
THE BOOK OF WILL
METAMORPHOSES
THE ROSE TATTOO
THE VISIT
NEVERWHERE
CARRIE
LISTEN FOR THE LIGHT
THE HOBBIT
SOMETIMES THE RAIN...
A YEAR WITH FROG AND TOAD
SUPERTRUE
FRANKENSTEIN
MAKE WAY FOR DUCKLINGS
ANDY'S HOUSE OF [BLANK]
LITTLE WOMEN / THE MUSICAL
BLACK IS HOLY
KEEPER OF THE REALM
LAST DANCE, LOST DANCE
PIPPIN
MAMMA MIA!
THE FISHERMAN'S WIFE
LIFE JACKET / PAPER BACKS
BEERTOWN
LITTLE WOMEN
BONNIE & CLYDE
UNREALIZED DESIGNS