THE HOBBIT / BY GREGORY BANKS
ADIRONDACK THEATRE FESTIVAL, 2022
DIRECTOR / JOE ISENBERG
SCENIC DESIGNER / SARAH BETH HALL
LIGHTING DESIGNER / SIOBHAN SLEATH
COSTUME DESIGNER / BRITTNEY BELZ
SOUND DESIGNER / TOSIN OLUFOLABI
PHOTOGRAPHY BY JIM MCLAUGHLIN
Instead of the expected forest, the set, by Sarah Beth Hall, resembles an abandoned factory; combined with tiered, rolling metal platforms and costume elements including welder's masks, the look is of a post-industrial age analogous to the fallen era of Middle-earth during which our intrepid group sets out on their journey.
STEVE BARNES / TIMES UNION
Much credit must go to scenic designer Sarah Beth Hall who, instead of a forest, creates an industrial black box set that creates the perfect ominous tone to the proceedings.
BOB GOEPFERT / WAMC NORTHEAST PUBLIC RADIO
THE CARETAKER
GOD OF CARNAGE
ORLANDO
METAMORPHOSES
THE BOOK OF WILL
THE ROSE TATTOO
THE BERLIN DIARIES
THE IMPORTANCE OF BEING EARNEST
DRACULA: A COMEDY OF TERRORS
THE VISIT
MARY SHELLEY'S FRANKENSTEIN
LISTEN FOR THE LIGHT
FAIR PLAY
TAMBO & BONES
DIE HARD IS A CHRISTMAS MOVIE
NEVERWHERE
SUPERTRUE
MAKE WAY FOR DUCKLINGS
NINE
WINNIE THE POOH
THE HOBBIT
QUEENS GIRL: BLACK IN THE GREEN MOUNTAINS
CARRIE
LITTLE WOMEN THE MUSICAL
FRANKENSTEIN
A YEAR WITH FROG AND TOAD
ANDY'S HOUSE OF [BLANK]
PIPPIN
KEEPER OF THE REALM
MAMMA MIA!
SOMETIMES THE RAIN...
THE FISHERMAN'S WIFE
SLEEPING GIANT
LAST DANCE, LOST DANCE
BEERTOWN
LITTLE WOMEN
UNREALIZED DESIGNS