THE HOBBIT / BY GREGORY BANKS
ADIRONDACK THEATRE FESTIVAL, 2022
DIRECTOR / JOE ISENBERG
SCENIC DESIGNER / SARAH BETH HALL
LIGHTING DESIGNER / SIOBHAN SLEATH
COSTUME DESIGNER / BRITTNEY BELZ
SOUND DESIGNER / TOSIN OLUFOLABI
PHOTOGRAPHY BY JIM MCLAUGHLIN
Instead of the expected forest, the set, by Sarah Beth Hall, resembles an abandoned factory; combined with tiered, rolling metal platforms and costume elements including welder's masks, the look is of a post-industrial age analogous to the fallen era of Middle-earth during which our intrepid group sets out on their journey.
STEVE BARNES / TIMES UNION
Much credit must go to scenic designer Sarah Beth Hall who, instead of a forest, creates an industrial black box set that creates the perfect ominous tone to the proceedings.
BOB GOEPFERT / WAMC NORTHEAST PUBLIC RADIO
THE CARETAKER
GOD OF CARNAGE
ORLANDO
THE BOOK OF WILL
METAMORPHOSES
THE ROSE TATTOO
THE VISIT
NEVERWHERE
CARRIE
LISTEN FOR THE LIGHT
THE HOBBIT
SOMETIMES THE RAIN...
A YEAR WITH FROG AND TOAD
SUPERTRUE
FRANKENSTEIN
MAKE WAY FOR DUCKLINGS
ANDY'S HOUSE OF [BLANK]
LITTLE WOMEN / THE MUSICAL

KEEPER OF THE REALM
LAST DANCE, LOST DANCE
PIPPIN
MAMMA MIA!
THE FISHERMAN'S WIFE
LIFE JACKET / PAPER BACKS
LITTLE WOMEN
BEERTOWN
BONNIE & CLYDE
UNREALIZED DESIGNS